The Imagery of Water in Camus’ La Chute

Authors

  • James Belassie Author

DOI:

https://doi.org/10.65828/bgh08z30

Keywords:

Absurdism, metaphor, embodiment

Abstract

This paper discusses the role of water imagery in Camus' last complete novel, and relates it to the experience of the absurd. The richness and complexity of meaning that is to be found in the Camus' carefully constructed metaphorical systems demonstrate his virtuosity as a literary philosopher.

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References

Camus, A. (1936). Summer in Algiers. Trans. O'Brien, J. London: Penguin, 2000.

Camus, A. (1941). The Myth of Sisyphus. Trans. O'Brien, J. London: Penguin, 2000.

Camus, A. (1956). The Fall. Trans. Buss, R. London: Penguin, 2006.

Camus, A. (1989). Carnets, vol. 3. Paris: Gallimard, 1989.

Cruickshank, J. (1960). Albert Camus and the Literature of Revolt. New York: Oxford UP.

Raskin, R. (2001). Camus's critiques of existentialism. Minerva - Internet Journal of Philosophy 5 (2001): 156–165.

Thody, P. (1989). Albert Camus. Basingstoke: Macmillan, 1989. DOI: https://doi.org/10.1007/978-1-349-19906-8

Published

2011-07-01

Cite This Article

The Imagery of Water in Camus’ La Chute. (2011). Existential Analysis: Journal of the Society for Existential Analysis, 22(2), 318-324. https://doi.org/10.65828/bgh08z30
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